exhibition

Groworld: borrowed scenery at the "Biotech Art Revisited" Exhibition at the Experimental Art Foundation.

http://www.eaf.asn.au/2009/biotech09.html

Disco Kids, a playful afternoon for children and their parents, with music, movies and endless bouncing on the blob.

In collaboration with Lowdjo.
http://www.recyclart.be/content/view/13596/10/lang,nl/

screening of In Human Format DVD by Bent Object and FoAM at the Portland Art Center.

FoAM's trans-local lab is prepared to continue 'business-as-usual' wherever they go. Their members are trained in the art of 'Nista Nas Ne moze Iznenaditi', that enables them to make art in uncertain conditions, variable situations and heavy weather (as well as operating as extreme programmers, growing their own food and guiding the masses into shelters in case of unexpected war). This month, they are ready to set up a survey camp for the expedition to Altitude 1000.

Rachel Wingfield creates reactive, luminous surfaces and objects through the use of new technologies enabling familiar products to take on a new dimension.

http://loop.ph

'Sound Modulated Light #1' is environment of light and sound. The sound is not present acoustically but is radiated by the lights. The light sources are the carriers for the sound. The space consists of a design of multiple lights. Every light source has a double role. It's part of the light design and part of the sound design. The sound is modulated on top of the light by means of intensity modulation. The lights are flickering but mostly with a speed which not perceivable with the eye.

From the pneumatic turmoil of the tension workshop a shiny airtight meeting room suited for anyone from ordinary folks to inflated executives, is part of a show at Looking Glass. The silvery plastic film houses the bodies and heads of three people at a time for an intimate meeting in the shared chamber. This triangular starfish evolved out of the experiments of Linda Karlsson. Her inflated costumes started to swallow-up more and more people, duos and eventually trios.

Catherine Watling is an artist who specializes in inter-disciplinary work with a special interest in art/science based research. Her work predominantly focuses on the alternative and sensual use of digital tools to create interactive and immersive experiential environments. She is currently Associate Artist at the Junction, Cambridge and has recently been awarded an Arts Council Grant in order to attend the Kilwa Archaeological Survey as attached artist. She is also Co-Director of New Dust.

A bit of context on the work in progress...

Installation at the Balen festival Enschede, The Netherlands. 21-25 May 2008.

http://roombeek.nl/balenfestival/expositie/kunstenaarsinitiatieven.html

Sprinckelink is a collection of shows held in the front space of FoAM Lab in Amsterdam. In this former shoe shop a series of exhibitions has taken since May 2005. Visible from the street, a diverse program is offered to passers-by. Sprinckelinxkes are the old Dutch term for sparks that fly off. The lab-window serves as a portal for sparks to jump onto our neighbourhood inhabitants.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Theun Karelse at Foamlab is part of a series named the Solemnities which follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.

This exhibition by Jan Dietvorst at Foamlab is part of a series named the Solemnities follow the highlights of the Christian calendar.